Everything about Eva Tanguay totally explained
Eva Tanguay (
August 1,
1879 –
January 11,
1947) was a
Canadian-born
singer and
entertainer who billed herself as "the girl who made
vaudeville famous."
Early life
Eva Tanguay was born in
Quebec. Before she reached the age of six, her family moved from Quebec's
Eastern Townships to
Holyoke, Massachusetts. Her father died soon after. While still a child she developed an interest in the performing arts, making her first appearance on stage at the age of eight. With her parents' assistance, she pursued a show business career, working her way through a variety of amateur contests that eventually landed her a spot with a comedy troupe before making her vaudeville debut in
New York City in 1904.
Career
Although she possessed only an average voice, the enthusiasm with which the robust Eva Tanguay performed her suggestive songs soon made her an audience favorite. She went on to have a long-lasting vaudeville career and eventually commanded one of the highest salaries of any performer of the day earning as much as $3,500 a week at the height of her fame around 1910. After seeing her perform,
English poet and sexual revolutionary
Aleister Crowley called Tanguay America's equivalent to Europe's
music hall greats,
Marie Lloyd of England and
Yvette Guilbert of France. "The American Genius," he wrote, "is unlike all others. The 'cultured' artist, in this country, is always a mediocrity. … The true American is, above all things, FREE; with all the advantages and disadvantages that that implies. His genius is a soul lonely, disolate, reaching to perfection in some unguessed direction. … Eva Tanguay is the perfect American artist. She is… starry chaste in her colossal corruption.
Eva Tanguay is remembered for brassy self-confident songs that symbolized the emancipated woman,` such as "It's All Been Done Before But Not the Way I Do It," "I Want Someone to Go Wild With Me," "Go As Far As You Like," and "That's Why They Call Me Tabasco." In showbiz circles, she was nicknamed the "I Don’t Care Girl," after her most famous song, "I Don’t Care."
Tanguay spent lavishly on both publicity campaigns and costumes. One obituary notes that a "clever manager" told Tanguay early in her career that money made money, and she never forgot the lesson, buying huge ads at her own expense, and on one occasion allegedly spending twice her salary on publicity. She also got her name in the papers for allegedly being kidnapped, allegedly having her jewels stolen, and getting fined $50 in
Louisville, Kentucky for throwing a stagehand down a flight of stairs.
Her costumes were as extravagant as her personality. In 1910, a year after the Lincoln
penny was issued, Tanguay appeared on stage in a coat entirely covered in the new coins. Other costumes included a dress covered in coral which weighed forty-five pounds and cost $2000, and a costume made of dollar bills.
Tanguay only made one recording ("I Don't Care") in 1922 for
Nordskog Records. In addition to her singing career, she also starred in two
film comedies that, despite the limitations of
silent film, used the screen to capture her lusty stage vitality to its fullest. The first, titled
Energetic Eva was made in
1916 and the following year she starred opposite
Tom Moore in
The Wild Girl.
Tanguay was said to have lost more than $2 million in the
Wall Street crash of 1929.
In the 1930s, Tanguay retired from show business. Cataracts caused her to lose her sight, but
Sophie Tucker, a friend from vaudeville days, paid for the operation that restored her vision.
Further Information
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